Stars: Tom Sturridge, Charles Dance, Boyd Holbrook, Vivienne Acheampong, Patton Oswalt, David Thewlis, Jenna Coleman, Gwendoline Christie, Kirby Howell-Baptiste, Ferdinand Kingsleyįor decades, it was generally accepted that Neil Gaiman’s landmark series The Sandman was unadaptable. Because that’s what fantasy is all about! The shows below are not all riffs on medieval settings, though-our selections also include modern magic, puppets, and otherwise uncategorized weirdness. Moreover, Suitsalso balances big-hearted emotion and the most annoying will-they-won't-they romance while maintaining its breakneck pace and corporate intrigue.Sometimes all we want is to escape reality for a little while, and what better way to do it than to immerse one’s self in a beautiful, dark, complicated imaginary land? For our list of the best fantasy shows on Netflix, we have strict rules: no sci-fi, no horror, and no superheroes. Together, Mike and Harvey litigate high-stakes cases while also dealing with the firm’s politics, secrets, and competition. Mike poses as a Harvard Law graduate during the interview but becomes Harvey’s associate not because of a piece of paper (or its lack thereof) but because of his brilliant mind and fascinating powers of recall and deduction. And when you stumble upon a fast-paced long-running series that follows the lives and careers of a bunch of ambitious associates and partners working at one of Manhattan’s top law firms, there’s no reason to stop, is there? But looking beyond the usual tropes, this show’s real heart is the unconventional, based-on-a-true-lie relationship between Mike Ross, who is a college dropout, and Harvey Specter, a legendary lawyer. Overall, Kim’s Convenience is a gem of a sitcom that deserves more appreciation and shouldn't have been canceled. The cast is authentically Asian, bringing life to the nuanced and hilarious characters. While the older generation tries to communicate, the younger generation struggles to find an acceptable balance between honoring their family’s traditional values and pursuing their own dreams. The Kim patriarch Appa and matriarch Umma, struggle with their life in a new country while raising their two adult children, Janet, who goes to university and Jung, who does not live with the family because of an incident that occurred years ago. Never once does the show lose its warmth, humor, and deep respect for humanity. The series, with an utterly heartwarming tone, tackles themes of intergenerational opinions, family conflict, cultural differences, and the immigrant experience. The Canadian sitcom follows the ups and downs of the Korean-Canadian Kim family who run a convenience store in Toronto. Kim’s Convenience is one of those comfort shows. In a way, the series holds up an unflinchingly honest (black) mirror to our growing dependence on screens and the constant connectivity of the virtual world in what can only be defined as a sharp tone. But what truly shocks the audience is how familiar these tales of technological downfall feel in our own plugged-in era. Here, the latest advancements in artificial intelligence, virtual reality, and social media have creepy, almost insidious consequences.įrom a Prime Minister forced to do the deed with a pig on live TV to an emotionally torn woman falling for a digital copy of her dead husband, the dystopian storylines are as thought-provoking as they are disturbing. Jumping on to a more chilling, brain-draining anthology series, Black Mirror that poses an important question: what if the comfort of technology came at the cost of our own humanity? Black Mirror is made of six seasons, and within each season are brilliant standalone episodes that explore the dark side of life in a speculative world.
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